San Francisco Beat: Talking with the Poets Review

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(More customer reviews)Interviews with makers of San Francisco's "beat scene" are captured by Metzer, himself a Beat generation artist, in San Francisco Beat, a oustanding and informative collection of recent interviews which relate what happened. Ferlinghetti, Everson, Rexroth and other major literary figures of the times reflect on experiences and philosophy.

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San Francisco Beat is an essential archive of the Beat Generation, a rich moment in a fortunate place. America—somnolent, conformist, and paranoid in the 1950s—was changed forever by a handful of people who refused an existence of drudgery and enterprise, opting instead for a life of personal, spiritual, and artistic adventure. In these intimate, free-wheeling conversations, a baker's dozen of the poets of San Francisco talk about the scene then and now, the traditions of poetry, and about anarchism, globalism, Zen, the Bomb, the Kabbalah, and the Internet.
Thirty years ago, poet David Meltzer interviewed his poet friends for The San Francisco Poets. Now in San Francisco Beat he has combined these classic interviews with recent follow-up. San Francisco Beat features major new interviews with Philip Lamantia, Joanne Kyger, Gary Snyder, Jack Hirschman, Diane di Prima, Jack Micheline, Philip Whalen, and David Meltzer himself.

David Meltzer is the author of many books of poetry, including Tens, The Name, Arrows: Selected Poetry 1957—1992, and No Eyes: Lester Young. He is the editor of Birth, The Secret Garden, Reading Jazz, and Writing Jazz, among other collections. His agit-smut fictions include The Agency Trilogy. Meltzer read poetry at the Jazz Cellar in the 1950s and in the 1960s fronted the band, Serpent Power. Meltzer teaches poetics at New College of California.

Table of Contents/Interviewed Authors
Preface Acknowledgments
Diane di Prima (1999) William Everson (1971) Remembering Everson (1999) Lawrence Ferlinghetti I (1969) Lawrence Ferlinghetti II (1999) Jack Hirschman (1998) Joanne Kyger (1998) Philip Lamantia (1998) Michael McClure I (1971) Michael McClure II (1999) David Meltzer (1999) Jack Micheline (1994) Kenneth Rexroth (1971) Remembering Rexroth (1971) Gary Snyder (1999) Lew Welch (1971) Philip Whalen (1999)
Bibliographies
Preface
Nothing is hidden; As of old All is clear as daylight -Anonymous haiku, 16th century
San Francisco Beat: Talking with the Po

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The Beat Generation in San Francisco: A Literary Tour Review

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(More customer reviews)I lived in The City from '67 to '73 and was there during the heyday of Haight Ashbury and the mammoth explosion of all that was pre-Altimont but for some strange reason Beat San Francisco was far more important in my memory than The Haight. The reasons probably have much to do with why I finished Morgan's short book in only a day because I became so involved in his descriptions of the places that I considered my San Francisco-all of Upper Grant after it crosses Columbus with Caffe' Trieste and the New Pisa and of course City Lights, Discovery and Vesuvio with Tosca watching from the other side of the street.
Even though I now live on the other side of the planet, these places are burned into my memory. They're memories of cold winter evenings searching for the inevitable bargain in Discovery and then going next door to City Lights to troll through its basement looking at all the titles that I wanted but couldn't afford as a student. And on Saturday afternoons going into Trieste and buying a cafe' and knowing that not so many years ago this place was the epicenter for guys that wore old berets, had beards and thought.
I am indebted to Bill Morgan for writing such a heartwarming look back at a time and place that will go on in the hearts of Americans that realize there was a recent time when things could have gone another way. It didn't happen but with people like him keeping the memory alive and people who care enough to take pictures of City Lights for people like me who remember- perhaps all has not been lost.
Buy the book and revisit these modern American icons before they are redeveloped.

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A blow-by-blow unearthing of the places where the Beat writers first came to full bloom: the flat where Ginsberg wrote "Howl;" Gary Snyder's zen cottage in Berkeley; the ghostly railroad yards where Kerouac and -Cassady toiled; the pads where Jack & Neal & Carolyn lived; Ferlinghetti's favorite haunts. This meticulous guide also brings to light never-before-heard stories about Corso, Bob Kaufman, DiPrima, Kyger, Lamantia and other West Coast Beats. A entertaining read as well as a practical walking (and driving) tour that covers the entire Bay Area. With an introduction by Lawrence Ferlinghetti.Bill Morgan is a painter and archival consultant working in New York City. He is the author of The Beat Generation in New York: A Walking Tour of Jack Kerouac's City.

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