Showing posts with label noir. Show all posts
Showing posts with label noir. Show all posts

The Maltese Falcon Review

The Maltese Falcon
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Alongside Raymond Chandler's Marlowe, Dashiell Hammett's Sam Spade is one of the most famous detectives from American literature. These two writers define what we know as the noir literature. Personally speaking, I found it more pleasant to read Hammett than Chandler. Both writers are great, and deliver the best in the prose, character development, settings and all, but I found "The Maltese Falcon" more interesting than "The Big Sleep" and "Farewell, my Lovely".
Hammett's prose is straightforward. He doesn't waste time with digressions and many descriptions -- only the essential. As a consequence, his novel is packed with action and mystery. It is not a surprise that this author writes with so much authority -- he used to be a private detective. Most of the book --if not the whole narrative --feels like getting inside information.
Hammett's style became a paramount in this genre and he has a major influence on many contemporary writers -- e.g. James Ellroy, Jeffery Deaver, and the French Jean-Christophe Grange among others. Hammett's prose is filled with witty observations on the American way of life -- mostly on the violence and corruption that were permeating the American Society.
Contrary to what many contemporary readers may wrongly assume, the older mystery novel is not as prudish and conservative as it may sound. Hammett's prose is more related to the 20s than the 50s. And in that early period society was looser than after the McCarthyism. Therefore, "The Maltese Falcon" can be a grateful surprise to many readers -- who will find drink, drugs, sex and sexual orientation (the Cairo character's sexual orientation has been largely discussed since the book was published).
However we are almost all the time with Spade, the reader has no access to his thought. It is the reader's job to reach conclusions and put the pieces together. And we can learn this from dialogues, events and mostly Spade's reactions and facial expressions. But this is not a hard job for the reader -- on the contrary, this is one of the best features of Hammett's style.
Of course, the movie version of the book is very famous --and almost as good. But it is always an irreplaceable pleasure to read Hammett's words. And to meet Spade before he `had' Bogart's face.


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The Way Some People Die (Vintage Crime/Black Lizard) Review

The Way Some People Die (Vintage Crime/Black Lizard)
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This early Lew Archer novel starts off in straightforward fashion. Mrs. Samuel Lawrence of Santa Monica, a poor but proud widow, hires Archer to find her missing daughter, a young nurse named Galley. Archer goes where the clues lead and soon finds he is involved in something more than a simple missing persons case. Slowly but surely, the hardboiled PI becomes immersed in the sordid world of heroin addicts and dealers.
The Way Some People Die contains plenty of good dialogue as well as numerous descriptive passages notable for their insightful detail. The intricately constructed narrative contains several intriguing plot elements that are ultimately tied together in the final pages. A 4 star effort, not quite up to the standard of Macdonald's best work, but nevertheless a worthwhile read for hardboiled crime fans.

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Hell's Half Acre Review

Hell's Half Acre
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Writing with the gritty realism of Andrew Vachss, Baer has aptly titled Hell's Half Acre, a descent into darkness that requires a strong constitution, but is worth the effort. In this world, killers appear unannounced and strange men mutilate their bodies for kicks, cash can buy anything, no matter how obscene and death is always a heartbeat away. It takes a fertile imagination to construct the layers of this elaborate, unpredictable nightmare.
Phineas Poe is on a strange trip, part psychological, part real. His first order of business is to track his girlfriend, the very tough Jude, trained by Special Forces and his former partner in crime-cum-romance. Jude and Poe's drug odyssey alone could cure a junkie. A violent act sundered their earlier cohabitation; since then, Poe's only mission is to find Jude. An ex-cop, Phineas Poe is an ambiguous character, following his more bizarre instincts, fueled by drugs but secretly nurturing a hopeful heart. Within the first couple of pages, Poe makes a fateful choice, when he notices the "thin shallow mouth of the alley my possible monster had come running from" and "I walked into that dark mouth". From that point on, the action only accelerates.
Meanwhile, the pathological John Ransom Miller is planning his snuff film, starring Jude, Phineas and assorted others. Jude has revenge on her mind and Phineas wants to be there for her, drug-hazed but willing. To that end they step into some very dark places, assuming an escape route that never quite materializes. Miller has a propensity for life and death games, ratcheting up the danger with the addition of more mayhem to expand the film's appeal, setting the actors up like pawns in a rigged chess game. To say that most of these characters are cynical would be an understatement; however, in a city's netherworld, survival dictates a certain perspective. But Poe doesn't want to play anymore, pushed to the edge of his fragmented integrity.
Reading this novel is like watching a triple X-rated movie, where all the X's are for violent acts. Pop culture seeps through the pages, images jumping out at random moments: Travis Bickle, the white rabbit. The novel is successful because it is never exploitative. Baer's dark journey of the soul, while tinged with excessive violence, is driven by an impressive imagination, as Poe masters the art of walking on the wild side, skirting the edge without tumbling into the abyss or accidentally slitting his own throat. Luan Gaines/2004.

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Lowlifes Review

Lowlifes
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What's it going to take for San Francisco Detective Larry Hayes to hit rock bottom? His beautiful daughter Victoria? His career? Will it be the fact he has no clue where his car is after his latest bender? Maybe it will be waking up in an alley with no recollection of the past few hours. Could it be that one of his informants, Noble Jon, was viciously murdered just a few blocks away and leaving him wondering if, in his drugged out state, he could have killed him? Larry's drug issues aren't secret, as much as he would like to think they are. There are those on the force who would like to see him gone. And when the evidence starts to point directly at him, Larry knows he must do whatever it takes to find out if in fact he is guilty of murder, or if he's now got a target on his back and someone is trying to take him down. The story, though, isn't just about Larry, his addiction, the potential set up, and the informant's murder. We'll also see a glimpse of his ex-wife, Jennifer, and of Lauren Ortega, a beautiful PI, both of whom play pivotal roles that you'll find out about later.

Lowlifes has the most amazing concept. He's put together a multi-dimensional way to delve into this story. First - read the book. You will see the action through Larry's eyes, how he perceives what is going on in the world around him. It's relatively short, at about 136 pages, but filled with enough murder, deceit, tension, betrayal, drugs, guns and a captivating cast of characters you probably wouldn't want to meet in a dark alley to fill the pages of a "normal" length novel. Then, go here ~[..] Here you'll read how Jennifer, Larry's ex-wife, views things, what causes her to do the things SHE does, and the repercussions of her actions. And that will certainly get you thinking. Finally, go here ~[..]. Now you'll see how things look from the eyes of private eye Lauren Ortega. What does she see that no one else sees? What does she know that no one else knows? Sure, anyone can write a book from the different perspectives of each character. But Simon Wood knocks it out of the park with this one. You not only get the different views of some key players, but you get to experience it in completely different medium not usually associated with a book. The book can certainly be read as a stand-alone (it's fantastic in and of itself), but you really should check out the rest of the story - you never know what you might get.



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San Francisco Detective Larry Hayes thinks he's hit bottom when he wakes up in an alley after a bad trip with no memory of the last four hours.This is only the beginning of his problems.Two blocks away, Hayes' informant, a homeless man named Noble Jon, lies dead, beaten and stabbed.The eerie pangs of guilt seep into Hayes.Is he Jon's killer?The mounting evidence says so.Hayes mounts his own investigation to stay one step ahead of murder charge and disappears amongst the city's homeless community."Simon Wood, juggling all the media balls here, has created a terrific pulp-fiction piece that reminds us just how easy it is to fall off life's tightrope."-- SJ Rozan, Edgar Award-winning author"Inspector Hayes, a complex, likable cop, finds himself in a world of trouble. LOWLIFES grabs you on the first page and is nonstop action to the end"-- L.J. Sellers, author of the bestselling Detective Jackson mysteries"What Simon Wood has done with LOWLIFES is a whole new take on the reading experience. The thriller is riveting in and of itself, but partnering it with videos that provide another lens on the story was nothing short of brilliant." -- Michelle Gagnon, author of KIDNAP AND RANSOM "Lowlifes provides a gripping , Rashomon-like look at the murder of homeless police informant Noble Jon. Innovative use of multiple media and alternative technology amps the verisimilitude while providing a deeper insight the characters' desperate motives. An intriguing twenty-first century murder mystery. "-- Mark Coggins, award-winning author of The Big Wake-Up"Simon Wood's inventive and original LOWLIFES takes you on a tour of San Francisco no tourist gets to see. The ride's as thrilling as a high-speed chase down Lombard Street, and just as twisty. Don't miss it!"-- Kelli Stanley, author of CITY OF DRAGONS

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