Showing posts with label 1960s. Show all posts
Showing posts with label 1960s. Show all posts

Acid Dreams: The Complete Social History of LSD: The CIA, the Sixties, and Beyond Review

Acid Dreams: The Complete Social History of LSD: The CIA, the Sixties, and Beyond
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This is surprisingly one of the best books I have read. The authors give a colorfully accurate account of the events that occured decades ago, all of which still echo into our current era. It covers the origin of LSD, as a drug the CIA funded research on for use as a tool for mind control applications using civilians and military personnel as test subjects. At the very outset, it was obvious that the CIA was well aware of the potential power of this substance in its ability to wreak havoc on the collective psyche, to shatter current assumptions and threaten cherished ego boundaries. Yet, eventually it became available to the masses who would come to extol it's use religiously and otherwise.....giving rise to the groundswell of counterculture in the 60's. This book, more than any other source I have encountered, explores the underlying causes of the demise of the cultural/political/self re-evolution of that time and gives us pause to reflect on the politics of consciousness - to see who really won The War Of The Mind. Proof again that truth is stranger than fiction. Be informed.........read this book.

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Acid Dreams is the complete social history of LSD and the counterculture it helped to define in the sixties. Martin Lee and Bruce Shlain's exhaustively researched and astonishing account-part of it gleaned from secret government files-tells how the CIA became obsessed with LSD as an espionage weapon during the early l950s and launched a massive covert research program, in which countless unwitting citizens were used as guinea pigs. Though the CIA was intent on keeping the drug to itself, it ultimately couldn't prevent it from spreading into the popular culture; here LSD had a profound impact and helped spawn a political and social upheaval that changed the face of America. From the clandestine operations of the government to the escapades of Timothy Leary, Abbie Hoffman, Ken Kesey and his Merry Pranksters, Allen Ginsberg, and many others, Acid Dreams provides an important and entertaining account that goes to the heart of a turbulent period in our history. "Engaging throughout . . . at once entertaining and disturbing." - Andrew Weil, M.D., The Nation; "Marvelously detailed . . . loaded with startling revelations." - Los Angeles Daily News; "An engrossing account of a period . . . when a tiny psychoactive molecule affected almost every aspect of Western life." - William S. Burroughs; "An important historical synthesis of the spread and effects of a drug that served as a central metaphor for an era." - John Sayles.

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Summer of Love: Ths Inside Story of LSD, Rock & Roll, Free Love and High Time in the Wild West Review

Summer of Love: Ths Inside Story of LSD, Rock and Roll, Free Love and High Time in the Wild West
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This book is an engaging, densely detailed history of San Francisco rock-'n'-roll from 1965 to 1971. It opens with the Charlatans giving birth to San Francisco rock and ends with the death of poor ol' Pigpen.
Selvin writes in great detail about how bands formed, learned (or didn't learn) how to deal with the music business, and broke up. It's a tell-all about who slept with who, the types of drugs each musician used and where and when they OD'ed, and the details of their recording contracts. To hear Selvin tell it, Janis Joplin bedded just about every male rocker in the business-- except for Jerry Lee Lewis: she got into a fistfight with him! Bill Graham's monstrous ego gets full play, until you get sick of reading about his temper tantrums and underhanded dealing.
But the book's title is misleading, for a couple reasons. For one thing, the summer of 1967 is completely absent from the book! The chronology jumps from spring to fall and ignores the summer altogether. Perhaps this was Selvin trying to emphasize his stark assertion in the book's first sentence: "The Summer of Love never really happened." But why he would deliberately omit the central scene of the whole saga is incomprehensible.
The other thing lacking in this book is a sense of the whole Zeitgeist of the Haight-Ashbury hippie scene. The book has a focus on nothing but rock-'n'-roll music. Any mention of any other cultural aspects of hippie life, like folk music, the Human Be-In, the flower children, the communal Diggers, the arts and crafts, the antiwar movement, the Eastern mysticism, the wider scope of everything that went into the Haight scene, gets no mention except insofar as it directly relates to the story of the rock-'n'-roll bands. This is a book specifically about music, not about all the many things that went into making San Francisco the hippie mecca.
Rock-'n'-roll was of course a central feature of the scene, and deserves a book all its own like this one. It just isn't the last word on it, as the title seems to promise. It doesn't give the reader a feel for the complete Haight-Ashbury experience. An accurate title would be "Rock Music in San Francisco, 1965-1971", or more accurately, "Rock Music in the Bay Area, 1965-1971."
But it does give plenty of information about the unique personalities that made all that amazing music, how they developed their sound, the personal and professional pitfalls they encountered. It shows their development from naive groups of young people beginning by playing in cafes and garages and eventually hitting the big time, bringing their local little music scene, where everyone knew everyone else, onto the world stage.

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Free Land, Free Love: Tales of a Wilderness Commune Review

Free Land, Free Love: Tales of a Wilderness Commune
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Communal living has been a social experiment rooted firmly in the American landscape since the New England Transcendentalists and the Brook Farm community. Margaret Fuller, Ralph Waldo Emerson, and Henry David Thoreau are names familiar to every high schooler, but few have read more than the usual Walden Pond excerpts and perhaps a poem or two, and most of the other Transcendentalists writings were concerned with their social philosophy.
The power of Free Land, Free Love is in the polyphony of very personal voices, weaving a portrait of experiences in communal living at Black Bear Ranch. We are treated to first-hand accounts of mostly middle-class Americans diving headlong into this unknown adventure, and surviving. It was the sixties, after all. Personal politics, sexual ethics, psychology, morality -- the Black Bear experience brought these ingredients into a cauldron seasoned with incipient radicalism, multiculturalism and a romantic idealism so far removed from the present it is an artifact. Try to imagine even discussing free love today in the era of AIDS. Yet once upon a time, free love seemed not only possible, but, well, socially advanced.
If their views on life seem to have little to do with life as most know it today, it is instructive to listen to these voices and hear the way that they (and perhaps we also) used to think. Though idealistic, these communards were also practical, down-to-earth, and undaunted by the many challenges they faced from Mother Nature, from society and from each other. Like the Diggers, their urban antecedents, the Black Bear tribe were scroungers, hustlers and Robin Hoods at heart. Ironically, their own naivete often proved to be a saving grace.
This book is filled with marvelous anecdotes. Burned an American flag at James Coburn's house. The Great Tomato Plant Bust. A standoff at gunpoint with a Black Power brother from Oakland. Fishing with the Karok Indians. Love triangles, quadrangles and other polygons. Discovering and using herbal remedies before there were health food stores. Encounters with wild animals like mountain cats, bears and snakes.
The reader is invited into the Black Bear reality one voice at a time. You can read it straight through and get the feeling of a connected narrative. Or you can drop into the book here and there, and graze. Free Land, Free Love is testament to a kind of human courage that is in short supply today. This is a wonderful book that documents an amazing era in which everything seemed possible and nothing was too great to fear.

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Living for the City: Migration, Education, and the Rise of the Black Panther Party in Oakland, California (The John Hope Franklin Series in African American History and Culture) Review

Living for the City: Migration, Education, and the Rise of the Black Panther Party in Oakland, California (The John Hope Franklin Series in African American History and Culture)
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This is an excellent book. It is well researched and well written and full of provocative arguments about the emergence of the Panthers (and Black radicalism generally) in Oakland. Indeed, of the half-dozen or so books I've read about the Panthers over the years, this is the best.
Although Murch sympathizes with the Panthers, she is a scholar first of all and takes care to substantiate her claims and clearly wants to (and does) provide a balanced account. This is an issue in the context of scholarship on the Panthers, in which so many of the works are tendentious (either pro or contra).
While most historians focus on Panther's militancy--obsessed with "black men with guns!"--Murch takes a step back and places them in a much broader frame. She puts the Panthers in the context of the Black immigrant communities that came to the Bay Area in search of defense industry jobs around WWII. By doing so, she accomplishes at least two very important goals. First, she links many Panther innovations to practices found in Black southern communities-- for instance, she relates Panther police patrols to the tradition of armed, community self-defense and, second, she places the Panthers in the context of much broader social and economic changes that occurred in the twentieth century. Few scholars have been able to pull this off when treating the Panthers, a group with an incredibly complicated history and one that still excites partisan passions.
I would only criticize her for failing to link the Panthers' community programs to traditions of anti-state, libertarian socialism. If nothing else, this would have helped her illustrate some of the tensions between the Panthers' simultaneously bottom-up and top-down approach to social change. However, this is a minor shortcoming.
This book was also designed and edited well. I only noticed one type-o throughout the entire text (as an editor, I can assure you that this is no mean feat). The photos and illustrations were instructive and pertinent.

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The White Rabbit and Other Delights: East Totem West : A Hippie Company, 1967-1969 Review

The White Rabbit and Other Delights: East Totem West : A Hippie Company, 1967-1969
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I'm surprised there is no picture previews of this book, as it is really beautiful. Every page is thick, quality paper, and is in full color. I especially enjoyed the fact that I was able to see many great works of rare poster art by artists whose works are sometimes hard to locate. Some of my favorites of which are Nick Nickolds, Barbara Kahn, and Satty. A beautiful, beautiful book, that no coffee table should be without! :-)

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If These Halls Could Talk: A Historical Tour through San Francisco Recording Studios Review

If These Halls Could Talk: A Historical Tour through San Francisco Recording Studios
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really a special book that traces the golden years of music (in other words - recording studios in the San Francisco Bay Area) during the 1960's and 70's and beyond. if you want to know where the Dead recorded American Beauty or where Crosby, Stills, Nash and Young recorded Deja Vu - this is the book for you. But besides these hippie classics - you get behind the scenes stories of SF punk bands recording their LPs as well. The book does mention what kind of equipment was used in certain studios or on certain records - but it's MORE about the people, the music, and the building/locations of the studios themselves. very well researched and written. the author interviewed alot of the people involved firsthand.

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