The Electric Kool-Aid Acid Test Review

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(More customer reviews)I've savored just about every word this man's ever written. I still vividly recall him at a lecture he gave in Berkley in 1972 standing at the lectern in his white Gatsby suit, starched pink shirt and nattily knotted tie. I can't recall the ostensible topic. He covered so much ground and had such a wealth of ideas and insights that the topic was irrelevent anyway. He's always been our keenest observer of American culture, on subjects ranging from hippies, art snobs, wall street, the space race, to the Southern nouveau-riches.
In terms of unadulterated reading enjoyment, however, this book is still my favorite. He captures the era perfectly. This was the period in the mid-sixties when the hippie philosophy and lifestyle was still genuine, before it had become commercially exploited by the mass media, before Manson and Altamont and the seeds of evil. It was an uncorrupted, pure, joyous movement and moment. Owsley was the bay area chemist who produced hits of Sandoz-quality acid that sent the children out dancing blissfully through the night and into the purple dawn. It truly looked like a brave new world. If you are young and can't undertand why former hippies wax nostalgic about it, it's primarily (at least to me) because that tiny era of innocence can never be recreated.
If ever there were a work of either fiction or non fiction that captured the essence, freedom, and expectation of a marvelous era, this is it!
One of the great non fiction works of the 20th century!
BEK

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Acid Dreams: The Complete Social History of LSD: The CIA, the Sixties, and Beyond Review

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(More customer reviews)This is surprisingly one of the best books I have read. The authors give a colorfully accurate account of the events that occured decades ago, all of which still echo into our current era. It covers the origin of LSD, as a drug the CIA funded research on for use as a tool for mind control applications using civilians and military personnel as test subjects. At the very outset, it was obvious that the CIA was well aware of the potential power of this substance in its ability to wreak havoc on the collective psyche, to shatter current assumptions and threaten cherished ego boundaries. Yet, eventually it became available to the masses who would come to extol it's use religiously and otherwise.....giving rise to the groundswell of counterculture in the 60's. This book, more than any other source I have encountered, explores the underlying causes of the demise of the cultural/political/self re-evolution of that time and gives us pause to reflect on the politics of consciousness - to see who really won The War Of The Mind. Proof again that truth is stranger than fiction. Be informed.........read this book.

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Acid Dreams is the complete social history of LSD and the counterculture it helped to define in the sixties. Martin Lee and Bruce Shlain's exhaustively researched and astonishing account-part of it gleaned from secret government files-tells how the CIA became obsessed with LSD as an espionage weapon during the early l950s and launched a massive covert research program, in which countless unwitting citizens were used as guinea pigs. Though the CIA was intent on keeping the drug to itself, it ultimately couldn't prevent it from spreading into the popular culture; here LSD had a profound impact and helped spawn a political and social upheaval that changed the face of America. From the clandestine operations of the government to the escapades of Timothy Leary, Abbie Hoffman, Ken Kesey and his Merry Pranksters, Allen Ginsberg, and many others, Acid Dreams provides an important and entertaining account that goes to the heart of a turbulent period in our history. "Engaging throughout . . . at once entertaining and disturbing." - Andrew Weil, M.D., The Nation; "Marvelously detailed . . . loaded with startling revelations." - Los Angeles Daily News; "An engrossing account of a period . . . when a tiny psychoactive molecule affected almost every aspect of Western life." - William S. Burroughs; "An important historical synthesis of the spread and effects of a drug that served as a central metaphor for an era." - John Sayles.

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Summer of Love: Ths Inside Story of LSD, Rock & Roll, Free Love and High Time in the Wild West Review

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(More customer reviews)This book is an engaging, densely detailed history of San Francisco rock-'n'-roll from 1965 to 1971. It opens with the Charlatans giving birth to San Francisco rock and ends with the death of poor ol' Pigpen.
Selvin writes in great detail about how bands formed, learned (or didn't learn) how to deal with the music business, and broke up. It's a tell-all about who slept with who, the types of drugs each musician used and where and when they OD'ed, and the details of their recording contracts. To hear Selvin tell it, Janis Joplin bedded just about every male rocker in the business-- except for Jerry Lee Lewis: she got into a fistfight with him! Bill Graham's monstrous ego gets full play, until you get sick of reading about his temper tantrums and underhanded dealing.
But the book's title is misleading, for a couple reasons. For one thing, the summer of 1967 is completely absent from the book! The chronology jumps from spring to fall and ignores the summer altogether. Perhaps this was Selvin trying to emphasize his stark assertion in the book's first sentence: "The Summer of Love never really happened." But why he would deliberately omit the central scene of the whole saga is incomprehensible.
The other thing lacking in this book is a sense of the whole Zeitgeist of the Haight-Ashbury hippie scene. The book has a focus on nothing but rock-'n'-roll music. Any mention of any other cultural aspects of hippie life, like folk music, the Human Be-In, the flower children, the communal Diggers, the arts and crafts, the antiwar movement, the Eastern mysticism, the wider scope of everything that went into the Haight scene, gets no mention except insofar as it directly relates to the story of the rock-'n'-roll bands. This is a book specifically about music, not about all the many things that went into making San Francisco the hippie mecca.
Rock-'n'-roll was of course a central feature of the scene, and deserves a book all its own like this one. It just isn't the last word on it, as the title seems to promise. It doesn't give the reader a feel for the complete Haight-Ashbury experience. An accurate title would be "Rock Music in San Francisco, 1965-1971", or more accurately, "Rock Music in the Bay Area, 1965-1971."
But it does give plenty of information about the unique personalities that made all that amazing music, how they developed their sound, the personal and professional pitfalls they encountered. It shows their development from naive groups of young people beginning by playing in cafes and garages and eventually hitting the big time, bringing their local little music scene, where everyone knew everyone else, onto the world stage.

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