Showing posts with label gay history. Show all posts
Showing posts with label gay history. Show all posts

Milk: A Pictorial History of Harvey Milk Review

Milk: A Pictorial History of Harvey Milk
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There is so much to learn from this book about the man Harvey Milk. Not only does this tell Harves story, there are things in the Introduction, (by Dustin Lance Black), that EVERYONE should read, both Gay and Straight. Words that brought tears to by eyes about how we treat each other and a lessons that hopefully will bring a greater understanding about anyone different than yourself. I loved this book.

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A Short History of San Francisco Review

A Short History of San Francisco
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I curled up with this book shortly after I moved to San Fran (1993) and found it impossible to put down. Tom Cole ably illumines the life and times of America's oddest city. His research is exhaustive - we are early in the book given a lesson on the geologic origins of the Bay itself; which turns out to be as engrossing and ironic a tale as any from the Barbary Coast!! This is also one of the few works about San Francisco that gives the plight of Ohlone natives the attention and consideration it sorely merits. It is a mark of Cole's considerable talent that he can tell one story with such sensitivity and, just pages later, transport us quite heart-poundingly into the throes of 'one of the most rip-roaring events in human history: the California gold rush.' If you like history, or travel, or California, or San Francisco, or plain ol' good reading, 'A Short History of San Francisco' delivers exponentially more than its $12.95 pricetag's worth. Super-recommended!!

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Gay by the Bay: A History of Queer Culture in the San Francisco Bay Area Review

Gay by the Bay: A History of Queer Culture in the San Francisco Bay Area
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This well researched book is also quite entertaining. While I bought it for its scholorship, it also serves as a nice "coffee table" book. Guests in my home enjoy thumbing through its many illustrations. This is a MUST HAVE.

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Gables and Fables: A Portrait of San Francisco's Pacific Heights Review

Gables and Fables: A Portrait of San Francisco's Pacific Heights
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I just bought this book from Amazon.com after seeing it displayed at Gumps in DT San Francisco (I had recently took a trip out there for work). Having actually lived in the Pacific Heights area (for seven years in the 1990s), I was excited to see a book about many of the houses and apartment buildings that I used to regularly walk by. I was always curious about who lived in them and what they were like on the inside.
After reading several of the book's chapters, I am thoroughly disappointed with the lack of detail. Personally, I have learned so much more by reading my old Access Travel Guide to San Francisco (the chapter about the Pac. Heights neighborhood) - Access' select entries (in just a few sentences) told me so much more about some of these homes and / or blocks.
I suggest you buy the Access - San Francisco Travel Guide (even a used one) or perhaps some other detailed travel book of The City that features this neighborhood.


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Enter the world of cornices, cupolas, and colonnettes, prestigious architects, and even more prestigious residentsCharming and deeply informative, part historical detective work and part gossip column, this 400-page book offers an architectural and social history of one of San Francisco s most attractive neighborhoods, Pacific Heights. Illustrated with specially commissioned art, the book tells the stories of 110 houses designed variously by Ernest Coxhead, Willis Polk, Houghton Sawyer, Julia Morgan, William Wurster, and other great architects, along with lively and engaging accounts of the moguls, entrepreneurs, artists, mariners, recluses, and charlatans who have lived in them.

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San Francisco's Potrero Hill (Images of America) Review

San Francisco's Potrero Hill (Images of America)
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"San Francisco's Potrero Hill" is one of a series of books giving an exactly 128-page photographic history of a specific neighborhood of the city. After reading eight of these books, I have to say the Potrero Hill edition has the tightest writing, the most detailed captions, and the widest scope of the lot.
The book tackles the geological origins of the hill and how the native tribes, the settlement at Mission Dolores, and growing San Francisco made economic and other use of the hill. We see foraging, cattle grazing, beer-making, and ship-building. We see panoramic views, Victorian houses, schools (including the start of the Lick-Wilmerding School), early hospitals, and housing projects. There are economics, sociology, and local politics. The pictures are varied by content, provider, and date. For its size, this book is tough to beat for its topic.
As a resident elsewhere in the city, I might have liked a bit more on the rise of San Francisco General Hospital (including the public emergency room and famous AIDS ward) and a bit more on the pale water tower very visible on the crest from the west, on the local parks, and on the impact of highways. All books in the series have to be selective and oriented toward the past; so this criticism is directed more at the publishers than at the authors, who did fine.
Highly recommended.

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In the early 1800s, it was called the Potrero Nuevo, or new pasture. Gold-rush squatters soon put the squeeze on Mission Dolores's grazing cattle, and when the fog lifted, Potrero Hill became the first industrial zone in San Francisco, with iron-smelting plants, butcheries, and shipbuilding dominating the waterfront during the late 19th century. The Hill has been home to immigrants from Scotland, Ireland, China, Russia, Mexico, and from everywhere in between. These days, many of the factories and warehouses have been converted into housing and offices for techies. And for the record, the crookedest street in San Francisco is not Lombard it's Vermont, between 20th and 22nd.

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Left Coast City: Progressive Politics in San Francisco, 1975-1991 Review

Left Coast City: Progressive Politics in San Francisco, 1975-1991
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If you are at all interested in the new role of cities in the global economy or San Francisco politics, this is the book to have. The most informative book on San Franicisco politics to date. Theoretically sophisticated and a readable case study at the same time

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When Art Agnos campaigned for mayor of San Francisco in 1987, he articulated and defended the "left" isms-liberalism, environmentalism, and populism. He won.Seeing Agnos as a defender of slowgrowth vs. progrowth, the city's progressives had high hopes. But to their disappointment, in the wake of the passage of Proposition M-the most restrictive growth control legislation of any large U.S. city-Agnos supported waterfront development and proposals to build a new baseball stadium in China Basin and a large residential and business development in Mission Bay. In 1991 Agnos ran for reelection. He lost.Left Coast City provides insight into how San Francisco's progressive coalition developed between 1975 and 1991, what stresses emerged to cause splintering within the coalition, and how the coalition fell apart in the 1991 mayoral campaign.Focusing on San Francisco's turbulent political history, non-conformist traditions, and ethnic and cultural diversity, political scientist Richard DeLeon analyzes the successes and failures of the progressive movement as it topples the business-dominated progrowth regime, imposes stringent controls on growth and development, and achieves political control of city hall.Although the movement has achieved national recognition as a possible vanguard of social and political change in this country, DeLeon argues that a new progressive regime has not yet emerged to replace the defunct progrowth regime. Having helped to create chaos out of order, progressive leaders now face the task of creating order out of chaos.

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Gay San Francisco: Eyewitness Drummer Vol. 1 (Issues 14-20) Review

Gay San Francisco: Eyewitness Drummer Vol. 1 (Issues 14-20)
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Jack Fritscher in "Gay San Francisco: Eyewitness Drummer" writes a muscular multi-faceted eyewitness history. This non-fiction work is not only fascinating for the general reader but is packed with primary sources for the researcher. Fritscher, the founding San Francisco Editor-in-Chief of "Drummer" magazine has creds. He earned his academic credentials with his PhD. He earned his authority to mine and interpret the leather past by editing "Drummer", and by his writing, including his historical novel-memoir, "Some Dance to Remember". He not only talks the talk he has also walked the walk. What was happening South of Market in the 1970s, before it was gentrified, before it became SoMa, was in the vanguard of what Fritscher calls "homomasculinity". Fritscher gathered a group of gay masculine-identified artists, photographers, cartoonists, writers around "Drummer". The group grew and flexed its muscle. They sometimes lived together, worked for and with each other, exchanged art work, picked up their tools and built their own spaces. They exchanged ideas and partied together. And yes, they sometimes had sex together. He captures it all. Fritscher writes large.

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Eyewitness Fritscher, the lover of Robert Mapplethorpe, breaks the trance of received gay history. In this timeline archive of art, sex, obscenity, gender, and gay mafia, 21st-century readers will get up to speed fast on the serious fun of who did what to whom when and why. In the Titanic 1970s, longtime Drummer editor Fritscher added erotic realism to the magical thinking of Drummer readers wanting a magazine that made newly liberated sex seem possible and accessible. Based on internal evidence in Drummer, journals, diaries, letters, photos, interviews, recordings, and newspapers, this ultimate insider s guide to the Rise and Fall of Castro and Folsom Streets is a risky ride that brings back what a thrill it was to pick up your first issue of Drummer. Fritscher s frisson anchors San Francisco s wild Gay Lib history on the clear chronology of the legendary monthly Drummer. Academia meets pop culture! Fritscher is the Ken Burns of Drummer magazine. Fritscher has done the research work most academics won t do thus ensuring that historians, critics and anthropologists will cut and paste with delight for years to come. Fritscher reads gloriously! San Francisco Chronicle

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Some Dance to Remember: A Memoir-Novel of San Francisco 1970-1982 Review

Some Dance to Remember: A Memoir-Novel of San Francisco 1970-1982
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"The hardest thing to be in America today is a man."
I recall seeing the movie "The Boys In The Band" in college and being so put out by the loathsome men depicted in it that I was easily confined to the closet for another five years. Back in my high-school seventies, when the bulk of the activity in this book took place, I was just a kid with a confused identity. Even in college, I read about Moscone/Milk with a mix of confusion and anger, wondering why good men could get gunned down for little more than being who they were, while all the time I was denying to myself who I really was. It took me another decade or so to come to grips with it all, and to discover what one of the basic premises of "Some Dance To Remember" sets forth. It makes me wish I'd come across this book in the seventies and not viewed "The Boys In The Band."
From "Some Dance To Remember;" "Every gay man is a homosexual, but not every homosexual is gay."
Jack Fritscher has created a world in "Some Dance To Remember" that goes from romanticized to mythologized to the aftermath of when paradise crumbled under the corrosional erosion of AIDS, drugs and too many Peter Pans. Ryan O'Hara is the hero of the story. He publishes MANUEVERS magazine in pursuit of the romanticized masculine man, engaging in rough and tumble leathersex and disdaining the hordes of men who come to San Francisco only to give up any male traits and begin acting like Junior Judy Garlands. He publishes a book titled "The Masculinist Manifesto" and sets the feminests and the SF Queenly majority into a convulsions. (Any similarity to MANUEVERS and Mr. Fritscher's residency at the legendary DRUMMER magazine are purely coincidental.) A cast a characters surrounds Ryan and form his support net; his sister who is a high profile cabaret star, his best friend and porn-king Solly Blue and his hustler's paradise, pop culture critic Magnus Bishop, and finally his ideal man, the southern-bred Kick Sorenson.
Throughout the novel, real life men and women drop by, such luminaries as Moscone and Milk, Dianne Feinstein, Tony Travorossi and Armistead Maupin all get name checked during the decade that "Some Dance To Remember" winds through. But where this book really shines is in its portrayal of the whole San Francisco gay liberation scene of the seventies. The first two acts of the book made me long for a time machine, for the chance to enter a golden age of freedom and possibility, before AIDS, before Iran-Contra, before Bush and Dobson and Falwell and Phelps. The descriptions of both the fictional and the true legendary places sinks in deeply, and even the side characters are all exquisitely detailed. "Some Dance To Remember" is almost a mirror reflection of Maupin's "Tales Of The City" (before the endless sequel books splattered into absurdity), with the characters more exclusively masculine and a lot tougher. Both books capture the very essence of the heady times of San Francisco's madcap dance through the get up and boogie years.
Alas, and much like the cautionary ending song/tale the album from which "Some Dance To Remember" takes its name, O'Hara discovers "to call someplace paradise is to kiss it good-bye." His friend Solly Blue has told him repeatedly how all hustlers are the same, just with different packaging, and as Ryan discovers the world he tried to design is undoing, the story reaches its conclusion in the fog of AIDS, steroids, and the real world that invaded The Castro as the Age Of Reagan ascended.
Probably more identifiable for me than those endless tales of coming out and the subversion of masculinity that most gay books churn away; "Some Dance To Remember" relishes its maleness and shys not from looking into the darker areas of the male psyche. Rich in depth and lovingly detailed, spellbinding in its vocabulary (Jack Fritscher is a master of catchy phrases), "Some Dance To Remember" deserves a place on the pantheon of great American gay novels.

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Theatres of San Francisco (CA) (Images of America) Review

Theatres of San Francisco  (CA)  (Images of America)
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Jack Tillmany, the author, has owned and/or managed several movie houses in the San Francisco Bay Area and is perhaps one of the best sources for photographs of theaters in the San Francisco Bay Area. This book gives at least one photo of every theater that ever operated in San Francisco (except for "storefront" theaters that was the first public outlets to show hard porn--I felt the Screening Room should have been included for historical reasons). All the Market Street houses, neighborhood theaters, "international" houses (art/foreign films have always been popular here), and even the current multiplexes. A small amount of history is included with each photograph, not an in-depth history, but a nugget of knowledge. (I would love to see a McFarland-type book on San Francisco theaters.) Many great photos, my favorite being the showing of the Howard Hughes production "The Outlaw" at the United Artists on Market Street. Highly recommended!

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San Francisco's Portola (CA) (Images of America) Review

San Francisco's Portola (CA)  (Images of America)
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Anyone who grew up in the Portola District (which I did) would treasure this book. The photos bring back so many memories. I regret my parents are not around to enjoy them as well.

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The Portola has a long and unique history dating back to the late 1800s. Too often misidentified with neighboring districts, it has its own story to reveal. Originally settled by Jewish immigrants, the area evolved into a community populated by nurserymen and their families who grew much of the city's flowers. The Road, as San Bruno Avenue was affectionately referred to by the locals, hosted businesses that included bakeries, grocery stores, pharmacies, and a theatre. In recent years, the Portola has undergone changes as community leaders have enacted programs to beautify the neighborhood and attract new businesses and families to this locale.

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San Francisco's Panama-Pacific International Exposition (CA) (Images of America) Review

San Francisco's Panama-Pacific International Exposition (CA)  (Images of America)
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Today international expositions like the 1964 New York world's fair, the 1939 Treasure Island fair, of even the PPIE
of 1915 are no longer popular. The fairs used to be places
where people could visit to see the latest in technology, visit
people from foreign lands, and see and do all sorts of wondeful things. With the advent of mass media and communication, and people staying home to entertain themselves, fairs fell from fashion.
Its been bandied about for years that San Francisco might put on another world's fair, but it will probably never happen.
So its wonderful to look back at what most people think was the most beautful fair in San Francisco history.
Started to commemorate the completion of the Panama Canal, it was also to show San Francisco had built itself back up from the destruction of the 1906 earthquake and
fire. The fairgrounds were built with lavish temporary buildings extending from the Presidio, along the waterfron, up to Van Ness avenue, taking up 635 acres. Opening in
February, 1915 the fair was an amazing show. The first transcontinental call was made with Alexander Graham Bell.
President Roosevelt visited, and did the Liberty Bell, brought
out from Pholadelphia. John Phillip Sousa and his band played, and he even wrote a piece for the fair. Camille Saint-Saens was also present, concerts being given in the Festival Hall.
The Tower of Jewels loomed over the fair, at night with colored lights playing off thousands of cut crystal "gems"
inside the tower. The Zone, was the amusement park area
of the fair. Sadly not quite a full year later the fair ended, and was torn down, making way for new housing.
This book, like many in the Arcadia series has many excellnt period photos and graphics, and also has a useful historic overview, so the reader can grasp the context of the story.
I have a number of these books in my office at work. My co-workers love to look at books like this one in their spare
time, to remind themselves that San Francisco has an interesting and wonderful past, rich with images and stories. This can be quite a welcome relief in these days
of blaring media, political correctness and a very short
collective memory.

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The 1915 Panama-Pacific International Exhibition celebrated the opening of the Panama Canal, the rebirth of San Francisco after the disastrous 1906 earthquake, and the world community in general. It was a festive time and one that transformed the swampy San Francisco waterfront into elaborate grounds for sculptures, playgrounds, fountains, and national pavilions. Some say it was the most successful world's fair ever held, bringing together disparate cultures as no other event before or since. Lasting 10 months and covering 635 acres over what is now the city's Marina District, the fair remains in evidence today at the famed Palace of Fine Arts, the only extant structure and a popular and much-photographed local landmark.

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The San Francisco Cliff House Review

The San Francisco Cliff House
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When I arrived home from work today, awaiting me at my front door was my own copy of Mary Germain Hountalas and Sharon Silva's The San Francisco Cliff House. I immediately tore into the packaging to get at this much anticipated, and long awaited volume. I sat myself down on the sofa and for the next hour I poured over each and every page of this book, and I wasn't disappointed. Without a doubt, this is one of THE best volumes of San Francisciana to appear on bookstore shelves in almost a decade or more. Visually stunning right from the cover, the volume is also graphically appealing throughout, and from what I've already been able to read, is beautifully written. Every once in awhile a book comes along like this that leaps so far ahead of the rest that it helps establish a new benchmark for all others who follow. This book, I think, is gonna be a tough one to follow. As a lover of San Francisco history, and, really, ALL things San Francisco, this book covers it's subject so well that I belive it will become the definitive work on San Francisco's fabled Cliff House.

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The shifting fortunes of San Francisco's legendary Cliff House, from raucous seaside roadhouse to fanciful Victorian palace to world-renowned urban destination, are celebrated in this comprehensive illustrated history.The story of San Francisco's Cliff House begins in 1863 with a modest white clapboard building perched on a rocky promontory overlooking the Pacific. Little more than three decades later, following a devastating fire, visionary millionaire Adolph Sutro oversaw construction of an imposing Victorian edifice on the same site. His 1896 "gingerbread palace" drew everyone to its doorstep, from working-class families to the city's social elite to three U.S. presidents. That grand structure withstood the great earthquake of 1906, but burned to the ground a year later. Sutro's oldest daughter, Emma Sutro Merritt, immediately set to work on a new Cliff House, which opened in 1909. In the century since then, the Cliff House has survived a handful of destructive storms, two major earthquakes, three nearby fires, two closures, several facelifts, the swinging sixties, the not-so-swinging seventies, and the often grindingly slow decisions of government. Despite these and other challenges, today's Cliff House, now part of the Golden Gate National Recreation Area, is enjoying a renaissance following a two-year, multimillion-dollar restoration. This lavishly illustrated volume chronicles the fortunes of the legendary landmark and the people associated with it–a colorful story that parallels both the history and the irrepressible spirit of the city of San Francisco.

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Cityscapes: San Francisco and its Buildings Review

Cityscapes: San Francisco and its Buildings
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Even if you know San Francisco, you'll inevitably discover something new in this fabulous little book. And even if you've never lived in the City, you'll enjoy the read--King's love for this place and its eclectic architecture shows through on every page in the unique, unmatched style that makes him a favorite SF Chronicle columnist. This guy can write. Oh, and the photos are great, as well. Highly recommended.

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