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(More customer reviews)"The hardest thing to be in America today is a man."
I recall seeing the movie "The Boys In The Band" in college and being so put out by the loathsome men depicted in it that I was easily confined to the closet for another five years. Back in my high-school seventies, when the bulk of the activity in this book took place, I was just a kid with a confused identity. Even in college, I read about Moscone/Milk with a mix of confusion and anger, wondering why good men could get gunned down for little more than being who they were, while all the time I was denying to myself who I really was. It took me another decade or so to come to grips with it all, and to discover what one of the basic premises of "Some Dance To Remember" sets forth. It makes me wish I'd come across this book in the seventies and not viewed "The Boys In The Band."
From "Some Dance To Remember;" "Every gay man is a homosexual, but not every homosexual is gay."
Jack Fritscher has created a world in "Some Dance To Remember" that goes from romanticized to mythologized to the aftermath of when paradise crumbled under the corrosional erosion of AIDS, drugs and too many Peter Pans. Ryan O'Hara is the hero of the story. He publishes MANUEVERS magazine in pursuit of the romanticized masculine man, engaging in rough and tumble leathersex and disdaining the hordes of men who come to San Francisco only to give up any male traits and begin acting like Junior Judy Garlands. He publishes a book titled "The Masculinist Manifesto" and sets the feminests and the SF Queenly majority into a convulsions. (Any similarity to MANUEVERS and Mr. Fritscher's residency at the legendary DRUMMER magazine are purely coincidental.) A cast a characters surrounds Ryan and form his support net; his sister who is a high profile cabaret star, his best friend and porn-king Solly Blue and his hustler's paradise, pop culture critic Magnus Bishop, and finally his ideal man, the southern-bred Kick Sorenson.
Throughout the novel, real life men and women drop by, such luminaries as Moscone and Milk, Dianne Feinstein, Tony Travorossi and Armistead Maupin all get name checked during the decade that "Some Dance To Remember" winds through. But where this book really shines is in its portrayal of the whole San Francisco gay liberation scene of the seventies. The first two acts of the book made me long for a time machine, for the chance to enter a golden age of freedom and possibility, before AIDS, before Iran-Contra, before Bush and Dobson and Falwell and Phelps. The descriptions of both the fictional and the true legendary places sinks in deeply, and even the side characters are all exquisitely detailed. "Some Dance To Remember" is almost a mirror reflection of Maupin's "Tales Of The City" (before the endless sequel books splattered into absurdity), with the characters more exclusively masculine and a lot tougher. Both books capture the very essence of the heady times of San Francisco's madcap dance through the get up and boogie years.
Alas, and much like the cautionary ending song/tale the album from which "Some Dance To Remember" takes its name, O'Hara discovers "to call someplace paradise is to kiss it good-bye." His friend Solly Blue has told him repeatedly how all hustlers are the same, just with different packaging, and as Ryan discovers the world he tried to design is undoing, the story reaches its conclusion in the fog of AIDS, steroids, and the real world that invaded The Castro as the Age Of Reagan ascended.
Probably more identifiable for me than those endless tales of coming out and the subversion of masculinity that most gay books churn away; "Some Dance To Remember" relishes its maleness and shys not from looking into the darker areas of the male psyche. Rich in depth and lovingly detailed, spellbinding in its vocabulary (Jack Fritscher is a master of catchy phrases), "Some Dance To Remember" deserves a place on the pantheon of great American gay novels.
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Some Dance to Remember: A Memoir-Novel of San Francisco 1970-1982
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