Average Reviews:
(More customer reviews)Sylvester was a beloved figure inside his circle of admirers; he received cautious regard at best from outside that circle. Now, along comes a long overdue biography, and what a volume. The timing couldn't be more right, as the US has finally put to rest most of the putrid disco backlash. In the stores are not only decent compilations of the disco music but also books like this one that reflect the reality of the subculture. Not the bandwagon that pop radio jumped on, not the Arthur-Murray style competitions, not the faux-glamour suburban nightclubs, but the real deal. Sylvester was both artist and participant in the disco culture-- singer, performance artist, club dancer. The author of this book captures Sylvester in all his complexity and drives home the important part he played in the subculture that was disco.
Gamson is an academic, which means that he has been thorough in locating good sources of information. He seemed to have access to so many of the important persons and institutions that played a part in Sylvester's life. He is able to provide a well-rounded depiction of the man's personality, warts and all. He does a good job laying out the formative experiences in this colorful life, be it a mother who role-modeled an imperious love of fashion but later derided a child who followed her example, or a church community that would exploit Sylvester's temperament but denounce him for acts its other members could get away with if they kept hypocritically silent. Sylvester's complicated relationship to the gay community of 70s San Francisco is fascinating. The author does a great job bringing all the early elements around in the end of the book, showing how lasting the formative events are and how much a person can fill in the voids during adulthood.
Gamson is more than an academic, however. He is also an entertaining writer and he takes in this book a great tone that fits his subject. He doesn't shy away from any aspects of the life he is depicting. The sex, the slang, the drugs, the erratic behavior, the fun, the bonds, and the subculture's differing values all sparkle like one of Sylvester's jackets. There is no stuffy ivory-tower writing here. Gamson can be as breezy in tone as Sylvester, but he doesn't pander. In fact, among the disco-oriented books that have come out over the last six years, this volume is as well-produced as that other benchmark of writing, *Last Night A DJ Saved My Life*.
The 60s teen drag scene, the 1970-era Cockettes, the rock-and-blues recording phase, the disco about which Sylvester had conflicted feelings; then the Hi NRG and activism phases-- all of these are given sharp observation and each makes for vibrant reading material. Gamson covers nearly all the bases, including the way the drag-loving Sylvester was an open mark for a defrauding imposter. It was great to learn how the disco albums came about, and what the exact roles of the band, producers, and record-label suits were. The only omission I found was Sylvester's collaboration with jazzist Herbie Hancock in the 1981 album Magic Windows. Otherwise, Gamson covered all the personal, community, and musical bases.
This was great reading for someone like me, familiar with both Sylvester and the 70s; I think the book would appeal to anyone with an open mind who is interested in a character who will swim against the current if he is so created.
Click Here to see more reviews about: The Fabulous Sylvester: The Legend, the Music, the Seventies in San Francisco
Get 25% OFF
0 comments:
Post a Comment